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Sodalizi Temporanei

Date

Location

Milano

During Milan Design Week, Imperfettolab opened ImperfettoGallery on the evening of April 17, 2024. It’s a flagship space located on the Naviglio Grande dedicated to multidisciplinary, a venue for encounter and experimentation between languages.

SODALIZI TEMPORANEI / TEMPORARY CROSSINGS is the title of the opening event, where by distorting the functionality of objects and the way one looks at them, Imperfettolab will give life to new and temporary sculptural forms.

Erich Turroni

Cesena, IT, 1976

The body and identity are the basis of Erich Turroni’s artistic research. His paintings are x-rays of the being, as if wanting to grasp the essence of the individual, its interior, its physiology, the unconscious.

“In painting I like the possibility of working with transparencies and overlaps, creating rarefied and enigmatic images. What interests me is the missing mark, the emptiness that is inside and around it.” (Erich Turroni)

Cosmogonie

mixed media and polyester on wood
142x92 cm

Autoritratto senza barba

mixed media and polyester on wood
230x130 cm

Senza Titolo (Nervoso)

mixed media and polyester on wood
252x187 cm

Ritratto di bambina (senza)

paper, ink on acetate
98x92 cm

Studi per tutta la distanza che resta

mixed media and polyester on wood
82x52 cm

Vortice

mixed media and polyester on wood
232x132 cm

Senza Titolo

mixed media and polyester on wood
252x187 cm

Pneuma

plaster, resin, plastic tubes
room size

Arcaico

fiberglass and wood

180x54x42 cm

Sinapsi#2

aluminium

Mantice

fiberglass, wood and polyethylene tube
room size

Carsico

fiberglass and wood
180x92x80 cm

Tutta la distanza che resta

fiberglass

Verter Turroni

Cesena IT, 1965

Verter Turroni places us in front of pieces of a world without a horizon. Scraps which are the broken image of what was once whole. Chips of exploded glass. Threads which are now unravelled. Sections of a shattered entirety. Pieces of a puzzle that can’t be reassembled. Fragments which declare the end of a universe, but, together, make moments of that same universe impending, exhibiting a mutilated greatness. Turroni, with his assemblages and his installations, situates himself in a lateral position compared to reality, to linger, mainly, over minimal clues. He steals the tesserae of an exploded mosaic; opens cracks, to glimpse the outlines of the real, gathering private slivers and unearthed memories; reveals precarious equilibrium. Rather than delineating great frescos he brings into focus some frames, hiding every reference, until he reaches even abstract results. According to an idea of Benjamin he accomplishes an assertive regeneration. As a whole, his work, reintegrates ruins, he rewrites them, he redeems them.

Arcaico

fiberglass
77x44x260 cm

Cave

fiberglass, fabric, wood and metal
193x81x81 cm

Logica binaria

fiberglass and metal
120x45x130 cm

Ibrido II

fiberglass and metal
129x44x57 cm

Ibrido I

fiberglass and metal
129x44x57 cm

Camminare solo

fiberglass and soil
80x25x95 cm

Anatomico

fiberglass, wood and metal
180x70x400 cm

Sedimenti

resin and pigments
Ø32x61 cm e Ø24x17 cm

Abisso

fiberglass and metal
160x360x100 cm

Abisso

fiberglass and belts
230x360x100 cm

Limen

fiberglass and metal
121x30 cm

Intuizioni

cement and felt on wood
200x200 cm

Mappe

iron oxidation on resin
175x300 cm

Fratture

cement and felt on wood

Botanico

iron oxidation on resin

Basso profondo

fiberglass and metal
200x300x300 cm

Celeste

iron oxidation on resin
300x150 cm

Soffio

zinc oxidation on resin
200x110cm

Solfureo

iron oxidation on resin
200x110cm